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NEDERLANDS DANS THEATER - NDT 1

REPERTOIRE

CHOREOGRAPHYJAN MARTENS IN COLLABORATION WITH THE DANCERS
ASSISTANT TO THE CHOREOGRAPHERZORA WESTBROEK
MUSICJULIA WOLFE, PRETTY: PUBLISHED/LICENSED BY: © RED POPPY, NEW YORK/ALBERSEN VERHUUR B.V., ‘S-GRAVENHAGE HANNA KULENTY, GG CONCERTO: © BY DONEMUS PUBLISHING, THE NETHERLANDS
LIGHTJAN FEDINGER
SETJORIS VAN OOSTERWIJK CREDIT GOES TO ‘THE BIRTH OF A FLOWER’ BY F. PERCY SMITH. RESTORED BY THE BFI NATIONAL ARCHIVE AND THE FILM FOUNDATION, WITH FUNDING PROVIDED BY THE HOBSON/LUCAS FAMILY FOUNDATION. ADDITIONAL SUPPORT PROVIDED BY THE ERIC ANKER-PETERSEN CHARITY
SETJORIS VAN OOSTERWIJK CREDIT GOES TO ‘THE BIRTH OF A FLOWER’ BY F. PERCY SMITH. RESTORED BY THE BFI NATIONAL ARCHIVE AND THE FILM FOUNDATION, WITH FUNDING PROVIDED BY THE HOBSON/LUCAS FAMILY FOUNDATION. ADDITIONAL SUPPORT PROVIDED BY THE ERIC ANKER-PETERSEN CHARITY
VIDEO DESIGNENNYA LARMIT
COSTUMESJORIS VAN OOSTERWIJK IN COLLABORATION WITH YOLANDA KLOMPSTRA AND THE NDT COSTUME ATELIER
WORLD PREMIERE4 FEBRUARY 2026, AMARE, THE HAGUE
LENGTH OF THE PRODUCTION40 MIN
ON STAGECOMPANY

“In the creation process of this work, I felt completely free.
I have explored opposing, radically different dance languages whilst working with the music of Julia Wolfe and simultaneously encouraging the dancers to give life to Hanna Kulenty’s GG Concerto. I challenged them to be rhythmically very strict, but at the same time impulsive and playful, so they could bring out all the beautiful textures and phrasing in the compositions.

As I was watching these dancers fool around in the studio, I observed my own pleasure of being surrounded by these extremely talented artists, and the saying “like a kid in a candy shop” came to mind.
One of its definitions is: “Someone feeling overwhelming joy, excitement, and unbridled enthusiasm, often leading to uncontrolled or silly behavior, due to being surrounded by many desirable choices or abundance.” This is exactly how I have felt these past weeks.

Dear audience, I hope this work will also awaken that kind of childlike feeling in you: offering so many beautiful, wild, funny and/or gorgeous movements, instant choices and people to look at; an abundance of life in these dark times.

I dedicate this work to Hans Van Manen, who taught me a lot, but above all, to remain playful.”
– Jan Martens

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