NEDERLANDS DANS THEATER - NDT 1
REPERTOIRE
| CHOREOGRAPHY | JAN MARTENS IN COLLABORATION WITH THE DANCERS |
| ASSISTANT TO THE CHOREOGRAPHER | ZORA WESTBROEK |
| MUSIC | JULIA WOLFE, PRETTY: PUBLISHED/LICENSED BY: © RED POPPY, NEW YORK/ALBERSEN VERHUUR B.V., ‘S-GRAVENHAGE HANNA KULENTY, GG CONCERTO: © BY DONEMUS PUBLISHING, THE NETHERLANDS |
| LIGHT | JAN FEDINGER |
| SET | JORIS VAN OOSTERWIJK CREDIT GOES TO ‘THE BIRTH OF A FLOWER’ BY F. PERCY SMITH. RESTORED BY THE BFI NATIONAL ARCHIVE AND THE FILM FOUNDATION, WITH FUNDING PROVIDED BY THE HOBSON/LUCAS FAMILY FOUNDATION. ADDITIONAL SUPPORT PROVIDED BY THE ERIC ANKER-PETERSEN CHARITY |
| SET | JORIS VAN OOSTERWIJK CREDIT GOES TO ‘THE BIRTH OF A FLOWER’ BY F. PERCY SMITH. RESTORED BY THE BFI NATIONAL ARCHIVE AND THE FILM FOUNDATION, WITH FUNDING PROVIDED BY THE HOBSON/LUCAS FAMILY FOUNDATION. ADDITIONAL SUPPORT PROVIDED BY THE ERIC ANKER-PETERSEN CHARITY |
| VIDEO DESIGN | ENNYA LARMIT |
| COSTUMES | JORIS VAN OOSTERWIJK IN COLLABORATION WITH YOLANDA KLOMPSTRA AND THE NDT COSTUME ATELIER |
| WORLD PREMIERE | 4 FEBRUARY 2026, AMARE, THE HAGUE |
| LENGTH OF THE PRODUCTION | 40 MIN |
| ON STAGE | COMPANY |
“In the creation process of this work, I felt completely free.
I have explored opposing, radically different dance languages whilst working with the music of Julia Wolfe and simultaneously encouraging the dancers to give life to Hanna Kulenty’s GG Concerto. I challenged them to be rhythmically very strict, but at the same time impulsive and playful, so they could bring out all the beautiful textures and phrasing in the compositions.
As I was watching these dancers fool around in the studio, I observed my own pleasure of being surrounded by these extremely talented artists, and the saying “like a kid in a candy shop” came to mind.
One of its definitions is: “Someone feeling overwhelming joy, excitement, and unbridled enthusiasm, often leading to uncontrolled or silly behavior, due to being surrounded by many desirable choices or abundance.” This is exactly how I have felt these past weeks.
Dear audience, I hope this work will also awaken that kind of childlike feeling in you: offering so many beautiful, wild, funny and/or gorgeous movements, instant choices and people to look at; an abundance of life in these dark times.
I dedicate this work to Hans Van Manen, who taught me a lot, but above all, to remain playful.”
– Jan Martens
