In Inquieto Henrique Rodovalho presents three aspects of restlessness. Three characters share the scene and little by little reveal their restlessness to the world: one veiled, apparently still, that reveals itself in small, almost uncontrolled movements; the other is as determined as a straight line that crosses the stage; and another that can be translated into movement: the body and its different articulations, connections and singularities expanded in the space. In the course of the performance, the third character multiplies itself by ten: his movements are multiplied; they go through distinct interpreters, as if they were one, and at the same time they show the human restlessness, creating new structures and repetitions with changes.

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