BALÉ DA CIDADE DE SÃO PAULO
REPERTOIRE
CHOREOGRAPHY | ALEJANDRO AHMED |
MUSIC | JOHN CAGE - SIXTY-EIGHT (1992) |
COSTUMES AND OBJECTS | KARIN SERAFIN, ASS. JULIANA LAURINDO |
LIGHT | MIRELLA BRANDI |
TIME-SILENCE LIGHT METRONOME | DIEGO DE LOS CAMPOS |
ASSISTANT TO THE CHOREOGRAPHER | CAROLINA FRANCO, ROBERTA BOTTA |
WORLD PREMIERE | 2022, TEATRO MUNICIPAL, SAO PAULO |
LENGTH OF THE PERFORMANCE | APPROX 30 MIN |
ON STAGE | 12 DANCERS |
Sixty-Eight em Axys-Atlas
Twelve platforms are set out in the space on which 12 dancers arrange themselves according to variations provided by a light metronome created by Diego de los Campos. The metronome produces 4 different times and the dancers, divided in groups of 3, indicated by the numbers of the 12 houses, establish their entrance and exit from the performance area.
The dance comes into contact with the composer’s thought through an immaterial choreography which, together with John Cage’s work, takes shape and transforms into a living object.