BALÉ DA CIDADE DE SÃO PAULO
REPERTOIRE
CHOREOGRAPHY | ALEX SOARES |
MUSIC | PROSPECTOR ARRIVE, JONNY GRENWOOD |
STAGE | WILSON AGUIAR |
LIGHT CONCEPT | MARISA BENTIVEGNA |
COSTUMES | CASSIANO GRANDI |
LENGTH OF PERFORMANCE | 25 MINUTES |
ON STAGE | 11 DANCERS |
Starting from different perceptions of reality, such as the subjective and the increased, Wii previsto uses a real environment to create a new virtual one with added components, merging a very primitive language such as music and dance with the more currently widespread - digital.
Virtual reality, which proposes a world of ideas that is perfect and controlled, is giving way to augmented reality, which instead of replacing the world where we live, offers tools to increase our capacity for interaction with it.
According to Phenomenology, reality is a product of the interaction between man and the world. According to that premise, we can distinguish different types of mediation that change this interaction, and as a result transform the perception of the world. The interest is not the world that exists, but rather the way the world's knowledge is held for each person, due to the distinct reality of each individual.
Is it still possible to distinguish the artificial from the essential?
Alex Soares